Read, watch, listen to, and discuss essays, stories, and interviews by international artists, writers, and curators for the Guggenheim UBS MAP Global Art Initiative.

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Museum, Musex, Mutext, Mutant: Giuseppe Campuzano’s Transvestite Machine

Museo, musexo, mutexto, mutante: la máquina travesti de Giuseppe Campuzano

Alejandro Gómez de Tuddo, The Virgin of Guacas (Portrait of Giuseppe Campuzano as the Virgin Dolorosa) (La Virgen de las Guacas [Retrato de Giuseppe Campuzano como Virgen Dolorosa]), 2007
Alejandro Gómez de Tuddo, The Virgin of Guacas (Portrait of Giuseppe Campuzano as the Virgin Dolorosa) (La Virgen de las Guacas [Retrato de Giuseppe Campuzano como Virgen Dolorosa]), 2007. Chromogenic print, 70 x 194 cm. Collection of the artist, Rome

Miguel Lopez explores the artistic and political legacy of philosopher, drag queen, and activist Giuseppe Campuzano, whose Museo Travesti de Peru (Transvestite Museum of Peru) mapped out a subversive politics of gender, memory, and representation. More

Guggenheim UBS MAP

On the MAP: Navigate the Globe, View Insightful Videos, and Catch No Country During Its Final Weeks in Singapore

MAP Navigator

In our latest monthly update from the Guggenheim UBS MAP Global Art Initiative, we introduce MAP's new interactive feature, present a peek at the videos on view in conjunction with Under the Same Sun, and invite you to visit No Country in its final weeks. More

Guggenheim UBS MAP

On the MAP: Compelling Programs, Positive Press, and a New Video Series

Iván Navarro, Homeless Lamp, the Juice Sucker, 2004–05. Fluorescent lamps, wheels, and color video, with sound, 4 min., 31 sec., sculpture: 116.8 × 172.7 × 72.4 cm, edition 3/3. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund and partial gift of the artist 2014.42 © Iván Navarro
Detail: Iván Navarro, Homeless Lamp, the Juice Sucker, 2004–05. Fluorescent lamps, wheels, and color video, with sound, 4 min., 31 sec., sculpture: 116.8 × 172.7 × 72.4 cm, edition 3/3. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund and partial gift of the artist 2014.42 © Iván Navarro

In our latest monthly update from the Guggenheim UBS MAP Global Art Initiative, we share highlights from among the programs for Under the Same Sun: Art from Latin America Today, and take a look at recent press and new videos that offer context for No Country: Contemporary Art for South and Southeast Asia. More

Guggenheim UBS MAP

Esteban Valdés’s Fuera de Trabajo and Its Influence

Fuera de Trabajo de Esteban Valdés y su influencia

Marxz Rosado, The Process for Attaining the Signature of Pedro Albizu Campos in Neon Lights (Proceso para conseguir la firma de Pedro Albizu Campos en luces de neón), 1977–2002
Marxz Rosado, The Process for Attaining the Signature of Pedro Albizu Campos in Neon Lights (Proceso para conseguir la firma de Pedro Albizu Campos en luces de neón), 1977–2002. Neon. Installation view, Tráfico Gráfico, Dr. Pío López Martínez Museum of Art at the University of Puerto Rico, Cayey Campus, 2012. Photo: Courtesy of the Dr. Pío López Martínez Museum of Art at the University of Puerto Rico, Cayey Campus

Esteban Valdés’s groundbreaking book of concrete poetry Fuera de Trabajo is, argues Marina Reyes Franco, a touchstone of Puerto Rican culture of the 1970s that was unjustly ignored until its rediscovery by artists after 2000. More