Guggenheim UBS MAP

Curators from the Guggenheim and Museo Jumex Discuss Latin American Art Today

Video still: Nisma Zaman
Video still: Nisma Zaman

The opening of the Guggenheim UBS MAP exhibition Under the Same Sun: Art from Latin America Today at Mexico City’s Museo Jumex this November will mark the start of an exciting collaboration between the two institutions. In this video, MAP curator Pablo León de la Barra talks with Julietta González, Jumex’s Interim Director and Chief Curator. More

Guggenheim UBS MAP

"Life, Love, and Liquor": The Emergent Decade in Print

“Vida, amor y licor": La década emergente en prensa

Front cover of Cornell Capa and Thomas Messer, The Emergent Decade: Latin American Painters and Painting in the 1960's (Ithaca, NY: Cornell University Press, 1966), showing Armando Morales, Landscape, 1964. Design by Kathleen Haven
Front cover of Cornell Capa and Thomas Messer, The Emergent Decade: Latin American Painters and Painting in the 1960's (Ithaca, NY: Cornell University Press, 1966), showing Armando Morales, Landscape, 1964. Design by Kathleen Haven

Michael Wilson investigates the influence of the catalogue to Thomas Messer’s 1966 Guggenheim exhibition The Emergent Decade: Latin American Painters and Painting in the 1960’s on Pablo León de la Barra’s Under the Same Sun. More

Guggenheim UBS MAP

Esteban Valdés’s Fuera de Trabajo and Its Influence

Fuera de Trabajo de Esteban Valdés y su influencia

Marxz Rosado, Proceso para conseguir la firma de Pedro Albizu Campos en luces de neón, 1977–2002. Neón. Visualización de instalación, Tráfico Gráfico, Dr. Pío López Martínez Museo de Arte, Universidad de Puerto Rico, Campus Cayey, 2012. Foto: Cortesía de Dr. Pío López Martínez Museo de Arte, Universidad de Puerto Rico, Campus Cayey
Marxz Rosado, Proceso para conseguir la firma de Pedro Albizu Campos en luces de neon, 1977–2002. Neón. Visualización de instalación, Tráfico Gráfico, Dr. Pío López Martínez Museo de Arte, Universidad de Puerto Rico, Campus Cayey, 2012. Foto: Cortesía de Dr. Pío López Martínez Museo de Arte, Universidad de Puerto Rico, Campus Cayey

Esteban Valdés’s groundbreaking book of concrete poetry Fuera de Trabajo is, argues Marina Reyes Franco, a touchstone of Puerto Rican culture of the 1970s that was unjustly ignored until its rediscovery by artists after 2000. More